Hell In A Bucket, Friend Of The Devil, Walkin' Blues, Cold Rain & Snow, Mama Tried, Maggie's Farm, Cassidy, Stander on the Mountain
Victim Or The Crime-> Touch Of Gray, Playin' In The Band-> Dark Star-> Drums-> Dark Star-> Playin' In The Band-> Standing On the Moon*-> Wharf Rat-> Throwing Stones-> Not Fade Away, E: U.S. Blues
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Source2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner
November 1, 2013 Subject:
Good Transfer, Good Show
Really full, airy, well balanced recording.
First set is pretty standard, except for the Bruce tune. I prefer when they played Valley Road.
Victim is really ambient and dark but doesn't make it too deep. I love Touch but it doesn't leave for much exploration after the opening Victim. Playin' is firey with Bruce and Jerry really getting along. Perhaps some of the finest moments come in the Dark Star segment, which I include about 3 minutes of space as part of. Great solo Bruce "piano jock" work with Jer eventually joining before the band picks up the pieces after which they dismantle into a 1990 meltdown jam. The rest of the show is quite ordinary if not uninspired.
Certainly the weakest of the three nights. Most people like Halloween night best. I really think the 29th has the best second set and a killer Let it Grow -> Valley Road with excellent solo Bruce jamming.
Quality transfer of a show that needed some audience air to liven up the vibe. A good show from Europe 90' tour.
favoritefavoritefavoritefavoritefavorite ( 2 reviews ) Source: 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.188.8.131.52 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007
Source: 2 Source Matrix bu dusborne Soundboard (shinid:83398) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller and Audience (shnid:124034) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand
Source: SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm